"I don't like JRK but I still love Harry Potter"
You have blood on your hands
Burn your fucking Harry Potter merch or be burned with it.
I'm fucking livid.
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
To those saying that it’s okay to call To Be Hero X “anime” because the Chinese equivalent term “donghua” (动画) literally also means “animation” don’t get the point.
Would you call your English breakfast tea “chai” even though “chai” is just the Hindi word for tea? Or any bread “naan” even though naan also just means “bread”? Café au lait and café con leche both literally mean “coffee with milk” in their respective languages, but their traditional preparation method and taste is very different. There’s also American comics vs Filipino komiks.
But most of all, would you call your Japanese anime “cartoon” even though that’s the actual English word for animated shows?
You won’t.
So when you borrow a term from another language to describe one thing, you’re actually saying that that thing comes from a particular country or culture.
Calling To Be Hero X an “anime” is like saying it’s from Japan.
“Oh chill, Miya, it’s not that serious—” But it is.
It’s bad enough that a lot of people already think that the show is from Japan and don’t bother to watch it in the original audio, but it’s even worse when you see the sinophobic comments online about people’s resistance to the original version despite learning it is from China (insisting the jp dub is better even though they can’t understand Japanese).
Calling TBHX an anime would be acquiescing to the erasure of the Chinese background of the show and saying that it’s actually Japanese when it’s not. (And if you just pause for a second to think about it, that is such a fucked-up thing, considering what Japan did to China in WW2. But let’s not delve too deeply into that.)
“But some people call ATLA an anime even though it’s not from Japan—”
Yeah, but the USA-Japan relationship is very different from the Japan-China relationship. You cannot compare these two. I can go at length about the geopolitical implications, but to keep it simple, just think of it this way: Calling a donghua an anime would be similar to whitewashing.
But even without considering the “serious” context, TBHX animation isn’t even like that of a typical anime. Have you ever seen an anime that blends 3D and 2D animation so seamlessly and ambitiously like TBHX does?
3D animation is kinda a staple in donghua. There are so many great 3D donghua out there. Recently, the 3D donghua Nezha 2 even beat Inside Out and The Lion King for highest-grossing animated film of all time. And even before TBHX, there were already many other donghua that mix the 3D and 2D mediums (e.g. You Yao, No Doubt in Us, etc.).
So to say, TBHX animation style is distinctly Chinese. You cannot call it an anime.
That frustrated me to no end because...how would that contribute to the story? Roo/Eve or Lilith being Alastor's captor gives him some form of reason to get involved with Charlie. Perhaps he wanted to get vengeance on Lilith by targetting her daughter? We've already noticed little details from the Pilots that he wasn't too fond of the Morningstars, but for what reason?
I was enjoying Alastor and Rosie's dynamic because it showed he was capable of making friendships and being genuine with someone. It adds something to his character, people are wary of Alastor and the main reasons he was around the Hotel wwas because 1, he's a feared Overlord, it helps prevent raids on it and 2, he's great support for running the hotel. Almost everyone knows Alastor is up to absolutely no good and is planning something bad to happen. He's a sadistic murderer plotting something awful, nobody knows his true intentions. He's not completely genuine with a lot of sinners.
But then Rosie, a person who's presence he actually seemed to enjoy. Someone he seems to truly be genuine with. Every fan was commenting how wholesome their friendship was. It adds something to Alastor's character that he isn't a manipulative and sadistic killer all the time, there's a softer side to him.
But no, boom...Rosie owns Al...and all that just gets tossed out of the window when their friendship could be explored meaningfully but what can I expect out of Hazbin?
Spoiler Alert: Leaks have come out- they might change but heres my criticism that might have someone watching this tumblr to re-consider.
You're telling that Rosie- the Rosie; happens to be Alastor’s captor? That's not even a plot twist, that's a plot disappointment. Why reveal that so early in the season if you want people to give a fuck about the show? Scrap that entire scene while you can, because it’s going to leave people extremely disappointed and pissed off. Rosie should be a demon friend Alastor knows, not his captor.
Like damn- my theory about Roo being Al’s captor sounds significantly more interesting. Even Lilith being Al’s captor is more interesting than Rosie is.
Fucking scrap it!
reposting for those that might be interested!
I (they/them, nb) am NOW RECRUITING for a research study! - Transgender Men & Transmasculine Individuals (assigned female at birth, but identify as a gender identity other than "woman") who experience chronic pelvic pain. Must be 18 years or older, fluent in English, and live in the US. Your answers are anonymous.
Chronic pelvic pain is a pain that is present in the lower abdomen or pelvis that has been present for 6 or more weeks. Chronic pelvic pain may be experienced more frequently by transgender men, transmasculine, or non-cisgender women than cisgender women, yet it is understudied. Because it is understudied, clinicians may not know how to best treat chronic pelvic pain when the patient is transmasculine. The cause of this pain is also generally unknown, as are the factors that may make it better or worse for a patient. Therefore, this study hopes to better understand what chronic pelvic pain is like for transgender men and transmasculine people, and how they prefer their care is approached when they seek medical care for chronic pelvic pain.
Participation in this one-time study is expected to take about 30 minutes of your time. There is a link for a raffle.
For more information and/or to start the survey, click here: https://qualtrics.uvm.edu/jfe/form/SV_e2qiU6qSL6YYsd0
my creative process is 5% writing and 95% daydreaming about my characters like they’re real people.
YEAH I LIKE AI
(A)rtist's
(I)ncredibly good artwork that deserves to be paid for and appreciated for the time they put into it
Ya sure it didn't happen between you and Satoru during your lil sessions. 🤔
this came on my pinterest and it looks so out of context this way. 😭
…I don’t remember this happening.
* 。 • ˚ ˚ ˛ ˚ ˛ • 。* 。° 。* 。 • ˚ * 。 • ˚ ˚ ˛ ˚ ˛ • 。* 。°◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤ ════ ʚ KING AKUJI ɞ ════ 闇 Akuji | Atlas | Nero | Percy ₊˚.༄ 愛 He/Him or They/Them •₊ ❥︎ ❏ ❜ 冷 Artist, Writer, Violinist ꒷꒦꒷꒦꒷ 𓏲 ࣪₊♡𓂃 .*. Satoru Gojo . *. ⋆ ☆ ‧₊˚◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢
360 posts