Bunita Marcus, Lecture For Jo Kondo, Chant #7, 99chants, 2020. Written By Bunita Marcus. Words By Nico

Maryam Nassir Zadeh

Ron van der Werf

Mònica Subidé (Spanish, b. 1974), La casa, 2018. Oil, pencil and collage on wood, 36 x 50 cm

Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.

Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)

© Ida Pimenoff

Untitled, from the series "A Shadow at the Edge of Every Moment of the Day", 2010

David Hockney

Today I made a zine, I cannot believe it sold out within a couple hours. It’s filled with my recent doodles, scans of pressed flowers, photographs, etc. I hope to continue to make more in the near future again. The cover says:

Swahili proverb: si maua yote yanayotoa matunda. Translation: not all flowers give fruit. Not all beginnings end well.

Akwasí, wallride

William Robinson (Australian, b. 1936), Autumn Sunset, 1997. Oil on canvas, 137 x 183 cm.