Frank thought pushing Karen away was the only way to keep her safe. Then the Snap happened, and he learned just how wrong he was.
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“You gotta walk away. Right now. That’s what has to happen, you hear me?”
Frank’s voice is unwavering, but his eyes are pleading as he stares at Karen. She’s standing at the foot of his bed like a sentry, her arms folded defensively across her chest. She’s wearing one hell of a poker face, but the look in her eye is obvious. He’s hurting her, and he hates himself for it.
“You don’t get to do this,” she exclaims. “You don’t get just… decide who gives a shit! That’s not on you, Frank.”
“Not on me?” He looks to the side, a huff of dry laughter rising from his throat. “No, it is on me.” Throwing off the scratchy hospital blankets, he swings his legs over the edge of the bed with more effort than he cares to think about.
“Because I know you, Karen. You’re strong, and you’re brave, but you’re so goddamn stubborn; you’ll do whatever it takes when it comes to me.” He pauses, dark eyes boring into her. “Tell me I’m wrong.”
But she just turns her head away, scoffing.
“Yeah.” Frank hums. “That’s what I thought.”
He pushes himself to stand. More effort. The cuts on his face and the bruises on his body weigh him down, but not as much as the knowledge of how he got them. He’d been one-upped by Russo, played like a jackass; beaten. Beaten so badly that Karen dropped everything– the good, stable life she’d been building for herself– to sit by his side and wait for him to wake up.
“You put yourself before others,” he says. “And I can’t let you do that. Not for me.”
Blue eyes, alarming in their brightness, shoot toward him. Karen motions toward the door, where Midani and Amy are probably waiting somewhere outside, hearing every word. “So it's okay for them to risk everything, but not me?”
It isn’t, but that’s beside the point. This is different. Everything is, with her.
“What do you think’s gonna happen?” He growls.
He takes slow steps in Karen’s direction. It’s like wading through water, trying to get to her, being drawn in and pushed back by the same current. Part of him thinks it’d be easier to just lay down, let the current sweep him in, but he knows that life isn’t meant for him, not while breath still fills Billy Russo’s lungs.
Frank allows his expression to harden. He has to puff out his chest, show his teeth; be the monster everyone thinks he is.
Everyone except Karen.
When she looks at him, he sees something else behind her eyes. He’s now sure what it is— or maybe he is and is too much of a coward to admit it— but he knows it's dangerous. Every time he sees it, sees her , his heart rattles a little harder against his ribcage; whispers things he knows he can’t have. That feeling has no place here. He needs to change her mind; make her see him like the rest of the world. Maybe then she’ll walk away… so he doesn’t have to.
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The funny thing is Karen stops Matt from attacking the bad guys, telling him to think it through because he was hurt and numbers and losing, blah blah blah. But she didn't know Frank was beaten up and kept there, and honestly I think logic would have flown out the window the moment she realized and It would have been Matt stopping HER.
Here for one ship. The greatest slow burn of the mcu.
If you ship kastle, please like. Looking for moots
Daredevil: Born Again Straight to Hell | 1.09
THE PUNISHER 1x05 “Gunner”
Jessica will find Karen bearable (which is a compliment coming from Jessica) but she's also gonna think Karen is fully crazy for being into both Frank and Matt when she finds them both annoying as hell
When Scarlett Johansson joined the Marvel universe all the way back in 2010, she did not have the ability that current actresses in the franchise have now and that is the ability to be seen as a valuable member of the team as opposed to an accessory.
My girl was being sexualised at every single interview, being asked if she wore underwear under her black widow suit and even being groped by interviewers. Natasha’s background was only slightly explored and her fighting style consisted of wrapping her legs around men’s heads in order to further appeal the male audience.
Yelena has the story arc she has and the ability to grow as a character because Scarlett fought for her to when she was producing the Black Widow movie. It makes me so upset that she knew she would never get the superhero experience that the men around her had, so she put aside her own spotlight in order to give Florence the standing that she couldn’t have.
I will not accept Natasha slander because Scarlett put everything she had into that character for a decade and had to go through so much just to be a part of that franchise.