Parallel #7

Is Sonon really dead?

Yuffie’s mission in Midgar ended unsuccessfully. Shinra destroyed the base of her allies in Sector 7, she couldn’t get hold of the Ultimate Materia and, most importantly, Sonon died in order to save her.

His death gives a sense of closure to this newly introduced character. Although being quite short, the DLC is full of clever parallels between Yuffie and Melphie, Sonon's younger sister who got killed in front of his eyes during the Wutai war. He failed to save Melphie back then, but he can save Yuffie now.

But the big question is: is Sonon really dead?

The OST playing during the death scene is Seeing Melphie again. After getting stabbed, he has a vision of his little sister (a very touching moment tied to FFVII theme of reunion in the afterlife) accompanied by a bitterweet piano melody, that gets always softer until his last breath. But just when Nero seems to finish Sonon off, instead of mercilessly swallowing him into the darkness, he gently picks him up while the music digresses in an ominious and mysterious tone, hinting that his role may be not over yet.

But what could Nero want from Sonon?

I think the answer may be deduced diggin a bit into Dirge of Cerberus lore.

There's a not very well known entry related to the main DoC game (especially by the western audience since it had been released only in Japan and for a very short period of time): Dirge of Cerberus Multiplayer on-line. While some of the missions were later included in the international release of DoC, the plot of this game got lost despite its importance for the full understanding of the Deepground dynamics.

Here is a link for an excellent article from thelifestream.net that tries to keep a record of this expired entry, and here's a playlist of cutscenes from the game with English subtitles that helps understanding the main plot (btw, a great YT channel where you can also find localized playthroughs of rarities like DoC Lost Episode and Before Crisis).

A quick summary about Deepground and the Multiplayer game.

Deepground is a top secret facility created by President Shinra and located beneath the slums (remember that underground lab where Cloud, Barret and Tifa went to save Wedge? That's Deepground) where troopers and SOLDIERs - but also unaware civilians - endure severe experimentations that push their bodies and minds to the limit, aiming to create ruthless SOLDIERs with no moral boundaries. The elite DG SOLDIERs are known as Tsviets, like Weiss, Nero, Argento, Shelke, Rosso and Azul. To avoid any rebellion each candidate and Tsviet has a restriction chip implanted in their brain controlled by four Restrictors loyal to President Shinra. This mechanism is particoularly useful to control those Tsviets who don't make a distinction between allies and enemies.

Because of this the Tsviets started to secretly plot against Shinra until they finally understood how to cheat the system. Shelke and Argento found a way to implant a non-working chip in a candidate, so that they could kill the Restrictors. The protagonist of DoC Multiplayer is indeed this candidate (gender and name chosen by the player). Thanks to her special abilities Shelke tricked the candidate into seeing a supporting partner, Usher, who helped them into ranking as a Tsviet, and most importantly she instilled the hatred towards the Restrictors giving to the candidate false memories of a little sister brutally killed by one of them. In the end the candidate managed to kill one of the Restrictors but got stabbed as well. This is the final dialogue of the game:

Weiss: Can this one still be of any use?

Shelke: Negative. The prolonged SND [Synaptic Net Dive] has rendered most of the brain inaccessible. It's only a matter of time before it breaks down completely.

Rosso: Really? After all that hard work. What a shame.

Weiss: Then hurry up and find a suitable replacement. After all no one knows what the Restrictors really look like.

Azul: So we have to find another one? This is becoming frustrating.

Weiss: It can't be helped. Only one out of hundreds can make it this far.

Rosso: Ordinary humans simply aren't as strong as we are.

Weiss: Precisely.

Shelke: Well, it's actually quite simple. With the help of the HJ Virus I am able to hack into Patricia [computer system] and bypass security. Then all that's needed is to pick a suitable subject before it's implanted with the chip.

Weiss: Shelke, find a new one quickly.

The devs had never provided any time reference for the Multiplayer story but now, with Intergrade, we know for sure that the Tsviets are still under Shinra's control when Yuffie and Sonon met Nero on December 12, and, while the President will be killed the next night, it seems clear that Scarlet is the one who will take full control of Deepground until her defeat the next month.

Conclusion

My theory is that Sonon could be the perfect person to replace the Tsviet-candidate and the dead Restrictor, so that Weiss and the gang can pursure their plan of rebellion gainst Shinra:

Unlike many soldiers Sonon has proved to be an extremely strong and capable fighter standing up to Nero.

He has the right motivation as he seeks revenge against Shinra - especially Scarlet - for the death of his younger sister, which Shelke could further manipulate.

Unlike any other Deepground candidate, he has no working restriction chip implanted.

Sure, one could argue that Nero severely wounded him, but the game clearly reminded us before the battle that Nero can easily disintegrate the bodies of his victims, while he reserves a different treatment to this particoular character. And, by the way, this wouldn't even be the first time a Tsviet pretends to kill someone as Shelke did the same with the Tsviet-candidate. As far as I know the main DoC game never explained how the Tsviets overpowered the remaining Restrictors, who replaced the Tsviet-candidate or what happened to Argento - who isn't part of the DoC cast. Sonon might be the missing piece of this sub-plot that may lead to new secondary arcs that could tie a bit more Deepground to the main FFVII story.

Final Fantasy VII Illustration by:  魚與花雕 @Anu_yu on twitter 

Zack and Aerith from Final Fantasy VII Ever Crisis

Tifa’s journey and resolve

As we’ve previously discussed, when Tifa first discovered Cloud at the train station, she found herself faced with a dilemma: she could heedlessly tell Cloud what she knows and risk losing him physically or mentally; or she could build up her resolve and wait for the opportune moment to tell him, hoping that with proper timing, she’d be able to tell him without losing him. Tifa chooses the latter.

Tifa wrestles with her secret across Midgar, Kalm, Gongaga, and Cosmo Canyon, but her worries finally push her over the edge at Gold Saucer’s Ghost Hotel. While Red XIII worries that he may go mad, Tifa is the only one who realizes that this is likely what is happening to Cloud; that Cloud may very well be going mad already. In her fear, Tifa snaps:

Red XIII: Cloud… I’m number 13. Am I going to go mad too?

Tifa: I don’t know what Hojo did to you, but you’ve been all right so far, right?

Red XIII: But…

Tifa: Be strong.

Red XIII: But, I…

Tifa: Stop it, Red XIII! Be strong!

Cloud: Tifa?

Tifa: You’re not the only one who’s worried!

(Source)

This uncharacteristic outburst convinces her. She has to talk to Cloud–and if she can’t find the opportune moment, she’ll make one.

So… she asks Cloud out on a date.

And the opportune moment reveals itself on the gondola:

Tifa: Ok, I’m going to just go ahead and say it…

Cloud: …what?

Tifa: Aeris would be able to just come out and say it, probably. Cloud… Sometimes being old friends is hard. I mean, timing is everything.

Cloud: Yeah…

Tifa: Cloud…? I……

Tifa: ………………….

(Source)

The gondola script looks like an attempted romantic confession–but much like everything else pre-Lifestream, looks can be deceiving. Given Tifa’s earlier emotional outburst, it’s far likelier that her words are hinting at her worries. But regardless of the interpretation, as “Interrupted by Fireworks” swells in the background, Tifa can only think of one thing: “I need to tell him.” Be it her doubts or her affections, could it be that now is finally the right time?

Surrounded by the flash and glitter of the Gold Saucer, Tifa hesitates… and before she knows it, the ride is over. Tifa lacks the confidence and resolve to be open with Cloud, and she allows the opportune moment to slip through her fingers.

Like Tifa said, timing is everything, and she never gets an opportunity like this again. As soon as they get off the gondola, Cait Sith’s actions set off a rapid-fire chain of events that culminates at the Norther Crater.

And suddenly, all of Tifa’s worst fears are realized. She loses Cloud mentally. She loses Cloud physically. He is gone. All of her careful, calculated efforts were for naught. Tifa is left bereft and depressed.

Which brings us to Mideel:

Tifa: What’s the matter? Are you all alone?

(dog whimpers)

Tifa: You got lost didn’t you? Separated from someone you love? Silly thing…

(Source)

This moment is huge for Tifa. This is the first time she is able to articulate, even indirectly, any of the thoughts locked away in her heart. Between Northern Crater and this moment, Tifa has changed.

And just in time. Tifa learns that Cloud may be alive and near. Filled with hope, “Interrupted by Fireworks” swells in the background and harks back to that moment on the gondola, when Tifa could only think of one thing: “I need to tell him.” And this time, Tifa is not going to let the moment slip through her fingers.

Final thoughts:

This makes Cloud’s clone status all the more heartbreaking. Just when Tifa thinks that Cloud is safe and she can finally make up for missed opportunities, Cloud is not ready to hear her. Once again she’s lost her chance and she’s lost Cloud. We all know Remake is going to rip our hearts out with this scene.

Damn this doctor is extra af, way to twist the knife (and explain why Tifa stays with Cloud):

“Timing is everything.” Tifa is right–from Cait Sith’s treachery through to Cloud’s clone violence, Tifa never gets the chance to talk to Cloud in private. By the time Cloud wakes up at the Gongaga Inn, his ego is at the brink of collapsing into full Sephiroth Copy mode–and if he got even a hint that Tifa doubts him, his ego would simply collapse sooner, same as it does later at Northern Crater. Tifa senses this, and hopes that fake confidence in Cloud will tide him over. This is also why she asks to stay in the party when the group goes to take on Sephiroth–she wants to keep an eye on him and support him, not just “settle things with Sephiroth.”

“Timing is everything,” reemphasized. Through the Lifestream sequence, we realize that even if Tifa had opened up to Cloud earlier, nothing would have changed–Cloud wasn’t ready to face his own flaws and work resolutely towards the truth with no reservations. The right time really is after Northern Crater and in the Lifestream. 

In an upcoming (mostly written!) post I’ll talk more about how “Interrupted by Fireworks” is actually a clever device to subvert our expectations… for both girls. There’s a lot of interesting symmetry that makes the divergences even more striking.

Special shoutout to @janeiteoftheslums​ who pointed out a detail I missed in the first (extremely short-lived!!) version of this post. Thank you so much! Everyone, if you’re craving some cloti goodness, head on over and read some of her fics.

"Angeal, stay back. I'll take Sephiroth alone."

"Uhhhh yeah, Genesis so you don't want to do that because that sword that he's holding is bad news you see we basically went into this spooky temple and there were a bunch of statues and monsters and purple shit and everyone started talking like a lunatic and gaslighting the hell out of me and Seph and I kept dreaming about our moms and he was acting like a huge asshole and we had a slapfight and anyway the sword is cursed but not cursed but maybe kind of cursed and Seph went apeshit getting it and had to undergo all these bullshit trials with ghosts because the sword was kinda-sorta-maybe forged from an alien meteorite and has some freaky-deeky shit behind it and Seph was meant to have it or whatever but you really don't want to fight him because I remember what a nightmare that was and I'm not going near that sword ever again be glad I never even brought up Alissa because I'm pretty sure Seph would go into convulsions and does anyone even REMEMBER what happened to Bachman but seriously Genesis don't fuck around with Seph while he's using that sword you're gonna get--"

Why Tifa is the only person, living or dead, who can resolve Cloud’s crisis

Alternate title: “What really happened in the Lifestream”

Of course the Lifestream scene has been discussed to death within the fandom. While some consider it one of the greatest triumphs of the Cloud/Tifa relationship and the game in general, others are quick to diminish its events and Tifa’s role. “Oh, any other childhood friend character who knew Cloud could do the job.” “Oh, Cloud only needed Tifa as moral support, he could have figured everything out himself.” “Oh, Aerith (maybe +Zack) could have done it by accessing her Cetra/time machine/empath/Planet powers.”

The Lifestream sequence is extraordinarily dense with many subtle visual cues, so there’s a lot to untangle and interpret. But no matter how you slice it, any take which downplays or eliminates Tifa is fundamentally missing the point of this scene, both for the plot and for Cloud’s character arc.

A lot of the confusion stems from a fundamental misunderstanding of what actually needs to happen in the Lifestream and why. Thus, using specific details from the sequence, I’d like to present my take on the following:

Part 1: What Cloud needs to accomplish in the Lifestream to advance the plot

Part 2: Why Tifa is the only person, living or dead, who can resolve Cloud’s crisis, where we will discuss fun things such as:

Why Tifa is the the focus of his greatest flaw

What Tifa’s presence in the Lifestream accomplishes

Part 3: Why those “Tifa-less” fan theories just can’t work

This is a very long ride so let’s get to it!

Continua a leggere

I've been thinking about Sephiroth's having a tendency in Ever Crisis First Soldier to put his hand on his chest and that it seems to have made it into Rebirth as something he does.

The revelation that he used to wear a locket with his mothers picture there really does change the gesture meaning. I think he's reaching for for that. The idea he's still reaching for her roughly a decade after losing the locket really breaks my heart.

Talk about a coincidence!

(Previous post here)

Midgar Blues

It has been said and repeated to death: there's a song dedicated to the "promise" in the Remake, and this should be enough to claim the "coincidence" post and end it here with a good link to enjoy the song.

But this song received some criticisms, so I'd like to talk a bit more about it.

1. "There is no evidence that this song is about Cloud and Tifa" and "It's just a random song in Wall Market without specifical meaning".

I saw some people trying to debate about this matter so, here we are.

The text perfectly describes the scene of the promise and Cloud leaving Nibelheim to join SOLDIER. It talks about a man/boy who left his hometown for Midgar, leaving behind a girl. There's a reference to the Lifestream and to the starry night with falling stars. The lyrics - both English and Japanese - are posted below.

This song has old-time/banjo&harmonica sounds that fit the "old west" atmosphere of Nibelheim.

The "author" of the song says he had started his career 7 years ago, when Cloud and Tifa shared the promise, and he's wondering if "Midgar Blues" will be his greatest success. Get the metaphor.

From a storytelling perspective this is NOT a coincidence: no reasonable company invests money and resources to create this sort of content without a reason (and no reasonable company invests money and resources in a song submissively sang in a hidden location of the game, probably this piece will have more focus and importance in the next parts of Remake when the promise will be brought up again - who knows, maybe at Gold Saucer?).

2. The original Japanese lyrics are different from the English translation (hence: it's not about love)

(Source)

The English version is undoubtly romantic and includes the words "True love", while the Japanese version doesn't. I'd like to point out a couple of considerations:

Whether you take the English version or the Japanese one, they're both romantic. It really doesn't seem to me that the original version sounds like a man singing for his sister or his mother. The romantic subtext is in both songs, and it's no wonder: the fact that Cloud was in love with Tifa at the time of the promise is history, more likely the addition of the "True love" part could be made in order to convince the most relunctant part of the western fandom about this subject.

This is a "Enka" song, a popular Japanese music genre that bears some resemblance with blues (for this reason, "Midgar Blues"). This genre is a form of sentimental ballad: enka songs usually express strong emotions, especially love.

This is more a personal opinion about localization from the perspective of someone who's not a native english speaker. I've read many harsh comments about the English localization of the Remake. Especially when it comes to LTD I've seen people from both sides of the fence complaining the translators to be biased CA or CT fans. Fact is that if the complain comes from both sides probably they're not the first nor the second, they're just...translators. I'm not a translator but I speak many languages and it happenes to me to watch and rewatch movies both in English and in my native language. You'll never find a literal word-by-word translation, ESPECIALLY when it comes to songs. Because it wouldn't work. A good localization has to follow the pace of the lip-sync, has to create rhythm, rhymes and lyricism when it comes to poems and songs, it has to convey the right feeling before the right word, it has to take into account the cultural differences from the country of origin of the movie/song and the receiving audience (in this case Japanese people tend to be more descreet and less explicit than western people when talking about love), and much more. With this I'm not saying everyting in the localization is perfect, I don't speak a word of Japanese so I can't make a comparison myself, but just remember that the devs DO speak English. They speak it well enough to notice the difference between the two texts of the song and if they authorized it (I doubt nobody bothered to double check the international scripts of one of the most important products of this company)...it just means that they agree.

In conclusion, yes, it's a love song about the promise and no, it's NOT a coincidence.

"I think we're friends in every universe"

花言葉は再会