The UK Supreme Court Has Ruled That  "the Terms Woman And Sex In The Equality Act 2010 Refer To A Biological

Reblog with just TWO choices

Ok, so chances are none of you know a damn thing about JJK, but I started writing this fic on a whim, so I may as well tell you all about it:

Gregor as a jujutsu sorcerer. After the Underland, his parents just decided to get the hell away from that place that stole away their kids and shoved them into some war by moving to Japan. And then their son gets dragged into the world of Jujutsu sorcery, which adds an interesting parallel into the mix.

Not sure if I'll give him a technique or not, but I kinda like the idea of him just going at all the curses Japan has to offer with nothing but his skill with a sword and cursed energy manipulation. BUT what I could also do is give him some kind of curse bond, like Ares or maybe even the Bane, like how Yuta fights alongside Rika.

I'm honestly thinking of sending him to the Kyoto school to even out the scoreboard, as a rager with cursed energy on their side could start to even things out, along with Mechamaru and Todo. He could also act as opposition to the higher ups and Principal Gakuganji, though I wouldn't be surprised if he got scouted by Gojo and taken to Tokyo, where Kusakabe could've helped train him (although Kusakabe seems to have taught Miwa so it's not really a deal breaker if Gregor goes to Kyoto).

I also have some ideas about him finding a curse on accident at first, then as he fights it he ends up channeling cursed energy through his rage, which allows him to kill it, before a sorcerer and/or a window show up, as they intended to kill it before he showed up, which leads to him getting enrolled.

So yeah. Came out a bit longer than intended, and most of you probably have no idea what I'm talking about, but what do you guys think? Any other ideas? Thinking of calling it "The Cursed Warrior", but I might choose another name if I find or come up with a better one.

Understanding Internal Conflict in Storytelling

Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.

Introduction to Internal Conflict

Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.

Purpose: It adds depth to characters, making them more relatable and complex.

Types of Internal Conflict

Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.

Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.

Identity Crises: Moments when characters question who they are or what they believe in.

Conflicting Desires: When a character's wants or needs are at odds with each other.

Examples of Internal Conflict

Classic Literature: Hamlet's indecision about avenging his father's death.

Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".

Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".

Importance of Internal Conflict

Character Development: Drives growth and transformation, showing how characters evolve.

Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.

Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.

Crafting Internal Conflict

Believability: Ensure the conflict is realistic and relatable to the audience.

Depth: Give characters more than one internal conflict to make them richer and more interesting.

Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.

Questions to Consider

What is the character’s main internal struggle?

How does this conflict affect their decisions and actions?

In what ways does the internal conflict drive the story forward?

The one kind of dragon no bard will fuck.

Use tax dollars to feed children/students who, by law, have to attend schools.

Someone translate their Url's. Please

underland tumblr

🦇 flying-high follow

unpopular opinion but i dont agree with nerissa's interpretation of the current prophecy 👀

🦎 turnandturnagain follow

wtf is wrong with you... nerissa is the only person who has sane interpretations of the prophecies nowadays

🐀 gnawgnawnibblegnaw follow

LOL nerissa and sane in the same sentence? that chick is a basketcase

👑 queen-luxa follow

shut the fuck up dickwad

🐀 gnawgnawnibblegnaw follow

oopsies sorry your highness

🥪 sandwichlover follow

dont apologize to her lmfao she doesn't even believe in the propecies anymore🙄

⚔️ smashed-swordsss follow

as she should???? stop licking sandwich's boots he's been dead for 400 slutty years

🥪 sandwichlover follow

HELLO. he literally founded the city we live in?????? how dense can u be ffs

🪳 temp follow

colonizer, he was, colonizer

🩸 ripping-red follow

u tell em temp

🦇 flying-high follow

y'all how did we get here lmfao i was just stating an opinion 😭

🐁 bane-apologist follow

bitch this is tumblr dot com having an opinion is like an act of treason punishable by banishment to the deadlands

🦇 flying-high follow

Hi What The Fuck Does Your Url Say.

🦎 turnandturnagain follow

maybe ur opinions just suck op

🦇 flying-high follow

Okay No But Seriously Can We Talk About That Person's Url

💦 river-runrun follow

yeah tbh the queen's new bond is a dilf

💦 river-runrun follow

WEONG POST WRONG POST WRONG POST QEOGNGPOST

🩸 ripping-red follow

im killing myself

🩷 as-i-save-my-life follow

Regalia Heritage Post

It's good and cool to give your characters a single simple, straightforward, non-urgent, super-achievable goal that shouldn't really cost anything or hurt anyone, make that the driving factor for most of their decisions, and then have the Plot do everything in its power to stop them.

Show Don't Tell - Symptoms vs. the Affliction

              Another way to think of show don’t tell is to describe the symptoms rather than tell the affliction. You could say someone was close to fainting—or you could describe their symptoms and trust the readers to understand what they mean: the world swirled around her head, her ears beginning to hum lowly, then louder, increasing into a high-pitched ring. She took a deep breath, her stomach turning over itself. Etc.

              Symptoms can also mean the lump in your throat as a “symptom” of being sad enough to cry, or the warmth of your face as a “symptom” of embarrassment.

              That might sound a bit silly, but I find it really helpful when I’m reading over mine or others work and looking for those places where showing would be better than telling. Have you described the symptoms, or just told the affliction?

              Here’s a short list of “afflictions” and their associated “symptoms” to get you started (but make sure to explore how different characters express different afflictions, even in more odd or unusual ways!)

Any symptoms I missed?            

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I Will Edit and Give Feedback on Your Writing For Free

Hello all! As many of you know, I’m a part-time editor of non-fiction and writer of all things fiction, but I would love to get more experi

Me: Listen, we don't believe in Wicca stuff

My brain: Yup

Me: We aren't spiritual in any way, and don't believe in superstition

My brain: Correct

Me: And we only bought that book on magic for reference when writing

My brain: That was our intention

Me: ...so why do we want to try Wicca magic?

My brain: Just shut up and build the altar

Yesn't? I think it was a thing the fandom just collectively agreed upon. Something about Supernatural and Campbell soup.

Gregor's last name is Campbell?

sort?