Dive into a world of creativity!
put Naughty from Matilda The Musical in your Laurent of Vere Spotify playlists you cowards
(from the chapter 9 commentary of book 1)
“I honestly had no idea when I started this story that Damen/Damian/Daman/Damon/Daemon is the #1 most overused name in online original slash fiction...You couldn't write a cross-over because it would be like, 'Hi, I'm Damen.' 'Oh hey, me too!'"
“I chose it naively, because onomatopoeically it gives an impression of no-frills strength (with its two strong syllables). And the ancient Greek name it derives from 'Damianos' originally means 'to tame' which amuses me no end.“
"The name Margaret sounds so English and out of place in retrospect, but it is a Greek name. It means pearl. The Persian version is Morvarid, which I fell in love with, but didn't use because it has too much of an Evil Villainess feel to it.”
“My beta calls him Salad, after Salad Nicoise. The other name in the running when I was naming him was 'Michelet', but I thought Nicaise just had that edge of bitchy flavour that suited his personality”
"Even before Laurent had hit the ground, the man had drawn his sword. Damen was too far away. He was too far to get between the man and Laurent, he knew that, even as he drew his sword—even as he wheeled his horse, felt the powerful bunch of the animal beneath him. There was only one thing he could do." -Prince's Gambit by C.S.Pacat
and a continuation of the same scene with more spoilers:
these were a hit on twitter so figure i’d share on tumblr dot com. context = everyone was making fun of a book that was marketed with this same format. enjoy the capri versions
Kyrie (eleison) 2020, 10x20-ish mixed media on masonite Media, in no specific order: Watercolor, acrylic, acryla gouache, gold and silver leaf, gold mica flake, lace
Done for @capri-bigbang2k19
According to the date on my phone, I finished the sketch in late August. I finished not too long ago, making this my first painting of 2020. How fitting, given this piece includes a lot of firsts: mounting a piece on masonite with matte medium as an adhesive; using squeeze bottles and blunt needles to do fine lining/piping (I need to go thinner,) and making shell gold for the purpose of being liquid gold paint (a technique adapted from how Russian icon painters make shell gold, which is both time-consuming and kind of fun.) I also used matte medium as more adhesive for the lacing after looking into how collage and assemblage artists make their pieces stick without fear of glue breaking or yellowing.
I'd visit this intermittently along with working on bees for my local town - it became a form of therapy in which I was allowed to “get real fucking weird,” as some professionals say.
The dried grass, camellias, roses, sweet peas and baby's breath are a reference to my writing contribution to the Captive Prince Big Bang, which needs to be worked on oops, but I got until Saturday.
Title is from the Christian liturgy, but also a reference to my album of 2019: Lingua Ignota’s Caligula, specifically If the Poison Won’t Take You... (TW: loud music, references to domestic abuse.)