Ffvii Remake - Blog Posts

Totally agree!

The English localization is the audible reference language for almost all the non-Japanese speaker players (and the only one besides Japanese with specific lip-sync), it's absurd even to think that a professional company could make arbitrary changes without consulting the game developers and get away with it.

What are your thoughts on final fantasy 7 remake's localization

I enjoyed it! Both the Remake and Intermission—Yuffie's VA soared and I really like how they captured her characterization.

There's a pool of people in the fandom who have contention with it (some of which comes with A LOT of misunderstandings about localization, in general, but that's a lot of other branched conversations), but if I'm just speaking on the "what" [the content]—overall how the developers handled the ENG localization was pretty good and enjoyable. Most of what comes to mind makes sense contextually, and even after comparing it to the JPN (which I enjoy too, the VAs are as great as usual since they didn't really change), you can find the differences and common ground between them. In some scenes you have your typical levels of "different branches from the same tree" or "different part of the same branch" in direction, but overall the script still captures the same tonality and excitement of the JPN version. There are some VAs I know people didn't like at first (like Zack), but he's grown on me now. Otherwise, everyone is excellent to my ears.

It was a long wait, but I'm glad we're finally in the era of the remake of this game.

1/3 Compliments for your posts, I totally agree. If that, to some extent, is a common tendency of every fandom, it can be said that FFVII one is overly crazy. Zack is another good example of how people try to force the most desperate excuses to deprive a character of its importance because they don't like the consequences of his role.

2/3 "He's just an NPC with insignificant screetime! His scenes are even optional!" So why SE decided to make him the protagonist of a standalone game of the compilation? How can it even be labelled as fan service if he is so irrelevant in the first place? It doesn't take much to realize that without Zack FFVII can't even start in the first place, but before Remake a consistent part of fans even denied CC canonicity. And some are still not convinced.

3/3 It's funny because I've never seen anyone complaining about Cid's behaviour toward Shera but tons of scenes and quotes taken out of context to prove that Zack, Tifa or Aerith are mean characters and should be cut out of the picture. That's pretty self-explanatory of how much people tend to insert themselves in one of the two romantic sub-plots and take it personally, ignoring that neither is the core of the story but they both play a role in the plot. SE really has a tough nut to crack!

They most certainly do, and I would like to believe they aren't taking into consideration all this ridiculous discourse, and just concentrate on their writing. Maybe it helps that, at least from my observation, the JPN side of the fandom doesn't go on about the same stuff we do—at least from these extreme angles.

Zack is another interesting one, and at that point I'd have to have someone define what they exactly mean by "fan-service". The way people view this too, can be strange. Saying Zack was a plot device in the first OG is pretty accurate role-wise, despite being an important one, and I always considered CC to be for the purpose of making up for his characterization by digging into who he was and what his story did for the series. Pretty standard prequel, in this way, with the creative freedom to add more layers not previously known. This is...pretty typical for many franchises. I always felt like, CC is what would've been reminiscent in the OG if the issues of his late development (as a character) and focus in the story had more time. No matter if someone likes it or not, the objective understanding still comes from recognizing its place in continuity and the impact it has on the wider narrative of FFVII—Zack's character literally is written to do this. It's just storytelling. Something that does this is no more fan-service than anything else that's created for an audience and actually has an importance to the story. If CC is fan-service, so is OG, AC (or the separate Complete version), or the Remake. Even if you find it "unnecessary", Zack's character and his story don't abide by this connotation.

Which like, that starts a conversation on the whole "need" ideal that fans have about supplemental materials or extended storytelling, which sort of connects to this based on the "This character or story isn't needed for THIS story!". The issue being that, I think a person's "point of refence" of necessity is off—what they're basing the need for and to. Zack, and all the previously mentioned posts for Tifa, Kairi, Kristoff, etc.—it's like I said, someone an just have a perspective that can write off characters, but that's literally just changing the story, and coming from a point of reference that is just off.

We shouldn't always base an entries "need" in totality only from a reference point of a previous work. This just doesn't always equate to the value of said entry. Any sequel that isn't following a cliffhanger of its predecessor can be deemed "unnecessary" then, by this logic, but obviously it would be beyond trivial to mark any story that continues to extend the storytelling of a world and its characters as this for....what, exactly? To just put it down? The funny thing about CC, is that it IS necessary if your intention is to understand more about that missing slate of the story and to understand Zack's character in more depth.

We'd seriously need a clear paraphrase to get over the misinterpretations about this song.

Guitar is the main instrument in both Hollow and Hollow Sky, just like Crisis Core soundtrack, especially CC Aerith's theme, The price of freedom and Why, all playing at the end of the game to narrate THAT scene. And Why has a guitar acoustic version too.

Hollow sky plays in Sector 5, an homage to Crisis Core, "sky" is the symbol of Zack and, coincidentally, the new key art of Aerith has her staring at the sky.

Funny: Aerith's final line is about the sky and Hollow starts when Zack shows up at the end.

All coincidences I guess.

Tetsuya Nomura discussing the Final Fantasy VII Remake theme song

FFVIIR Yuffie DLC after credit’s scene

****MAJOR SPOILERS BELOW****

Parallel #7

Same pose...

...Same words

[Previous]

1/2 Hi! What's your opinion about Aerith's resolution scene? It feels like most of fans are more interested in convenient interpretations to confirm/discard the CA ship, without really wondering, from a narrative standpoint, "why", of all the things Aerith could warn Cloud against, she touches the romantic subject? And so early in the story too. Romance in FF7 is often treated by fans as a standalone thing more than something that is interweaved with the main story and has a role within it.

2/2 Should we now re-evaluate the weight of CA relationship in the OG? I never felt like Cloud had more than a crush on her or her death broke him. But when a compilation expands in such a relistic way, the main story needs to be retroactively reinterpreted (like what happened with CC). I'm also wondering what significance we should give to the black floating feathers in this scene (the most visible one appearing when Aerith prays – hard not to think about Sephiroth). PS Sorry for the bad English

Don’t worry, your ENG is fine here!

Anywho, it’s quite the subject isn’t it? I often speak on how sometimes the foundation of a fan’s understanding of the Remake is grounded by their understanding of the OG. Which does make sense and have its merit, but it can also lead to a lot of biased views if there isn’t a consideration of the Remake’s way of storytelling. That’s why we have less of a reasonable spectrum of thought, and more of these black and white interpretations you mentioned floating around. I’ve seen a lot of “Aerith is telling us a fact: Cloud’s feelings aren’t real!” vs. “Cloud confessed to Aerith that he’d fall in love with her!”.

It doesn’t take much time to realize who is saying what.

The first example is talking about something that hasn’t happened yet (e.g. Cloud confirming Aerith’s words), and the second example is talking about something that, by the scene itself, just didn’t happen anyway. From a narrative standpoint and with an understanding of the story of FF7, this part of Aerith’s Resolution reflects two points: Cloud’s false memories/self and Cloud’s feelings for Aerith—more directly, the premise that if Cloud falls in love with Aerith, his feelings won’t be real due to the state of being he’s in. Additionally, this resolution essentially acts as a reflection of Aerith’s GS Date but with twists—the first being that her thoughts on Cloud’s falsity is not tied to the correlation of his similarities to Zack, and the second being that it adds a dash of something more reminiscent of the dream/forest scene (if anything, the Resolution is almost an applicable replacement of it in general). Death, cherishing time left and memories, and Cloud not being completely himself—there’s a lot of foreshadowing here.

This is where people typically use their takes on the OG to formulate a conclusion for Aerith’s premise, as you’ve seen above, with even some extending alternates. For example, that the real reason Cloud’s feelings wouldn’t be real because he’s really in love with Tifa already and is incapable of feeling anything for anyone else as he is.

But my take?

To be upfront, this scene sets up the idea that Aerith is wrong in regards to the romantic storytelling between the two of them. That yes, his feelings (in this case, that of “suki” [すき, romantic like/love when used for a person]) are going to be real despite the state he’s in. Not to mention, it isn’t an “if” he has romantic feelings, because it goes against all reason and understanding of anything else in this scene to suggest this premise was written for the sake of something that won’t happen or won’t be addressed. Even if she is right, this is only effective writing if yes, Cloud indeed falls for her and thought those feelings were real, and thus, finds out that he truly doesn’t feel that way once he regains his true self. There’d be no point to this line if he doesn’t feel this, otherwise for the sake of writing, it would’ve made more sense for her to suggest that what she just talked about (the memories/moments/happiness shared) were going to be what wasn’t real, specifically.

Until further information tells me otherwise, I believe Aerith is going to be wrong because of how the OG and relevant material presents what Cloud retains once he regains himself.

Let’s get into it.

Unlike the OG, Aerith is presenting the falsity of Cloud not through her own feelings, but that of HIS. She’s not assuming that the mantra of “embracing the moments” is something that Cloud won’t retain—it’s just the romantic feelings that will grow from them. We don’t have to worry about whether what Cloud retains from these moments and memories of Aerith are false. Why? Because that was completely fine in the OG. The moments, memories, and the bond they shared were all real to Cloud after he regains himself. And obviously, not just with Aerith, but with all his companions. If he didn’t retain what he gained while Aerith was alive, he just simply wouldn’t have any reason to value Aerith, it’d almost be like he doesn’t know her existentially at all. But that isn’t the case. Really, what he gained with his companions was never put to the test of falsehood in the first place.

But the romance? So specifically?

The “why” of everything that is said in this scene is done for some narrative purpose, representing future events and themes to be further implemented down the line. In a literal conversation about romantic feelings to be confirmed or denied story-wise—this is romantic storytelling, and whether you like it or not, it has been issued between the two characters. And of course, I believe it should make someone re-evaluate their understanding of the OG—not in the way where the story itself begets change (like that of the effect with CC, as you mentioned), but more so in realizing that the Remake is just a more expressive reflection of the romantic storytelling that was already in the OG. The writing and approach of the Remake is different than that of the OG, as we can even see between the expressions and details expanded on, like say for Cloud and Tifa’s bond and what that alludes to later down the line as well. This same thing is done for Cloud and Aerith, and what may not have been as openly expressed, is now done so too.

In the OG, the romantic storytelling between Cloud and Aerith played on the typical RPG standard of player-story interactive choice, but was contained in that by not having the story clearly address those choices through Cloud’s character after he regains himself. That and all relative materials like interviews or guidebooks relative to the OG—we only have a few direct romanticisms and some that can be argued as indirect given context. It’s not absent, but it’s unclear to the point it’s a discussion people still have 20+ years later. Also, by those possibly confused, player choice does not eliminate this through character representation—I’ll digress as it’s a whole other thing.

Cloud’s time with Aerith isn’t a mystery—we see everything between them and experience it as the player. We know what did or didn’t happen, what could be expressed, and what we’re left with in regards to romanticism is more of an unaddressed, almost irrelevant idea. What’s represented openly instead is everything else about their important bond, basically. Romanticism—it’s all in the air, not invalidated, but also not further represented for the character in the things referenced afterwards, like Cloud mentioning his memories of her, wanting to see her in death [Promised Land], Aerith being a friend, comrade, irreplaceable, etc. His time spent with Aerith was still something Cloud kept with him.

So, if the question for the OG is: did Cloud retain any romanticism for Aerith as a cherished feeling/memory, too?

I believe by right of the storytelling values presented in the game, that yes, he did. While the game and other materials make no attempt at trying to elaborate on Cloud’s favor towards Aerith, they also don’t negate it in void either from his character. A general good rule of thumb: usually when you have romantic meaning issued between two characters, whether through parallels, symbolism, other characters, the characters themselves, etc.—if it’s something that isn’t confirmed (e.g. confessions or explicit showing of romantic interest) OR isn’t countered or denied significantly (obviously not including the typical false denial by a character), then typically, you go with the positive-end that the representation there does indeed confirm that romanticism.

Think about it like this: remember that show you watched where the two lead characters had romantic subtext, but the show ends without them getting together? Yeah. If you’re at the point of claiming romantic subtext, you’re not doing so for the sake of saying the authorial intent is to show non-romance, but to show romanticism in a subtle way. There are a myriad of writers who have this style, and getting a direct confirmation or explicit showing of romance isn’t always in the cards for how that storytelling is going to be expressed. But, that hardly erases what is still intended to be understood.

The thing about Cloud and Aerith, the romanticism that can be understood from Cloud IS indeed never confirmed, not like how it was for Tifa. Which, I do advocate this actually does showcase how his romantic feelings for Tifa have a further depth than of that for Aerith given the lack of relevancy in comparison. However, his feelings for Tifa don’t negate what he felt for Aerith in totality, not to the point of being evidence of absence. The OG and further materials paint the picture that, after Aerith’s death, Cloud still remembers and cherishes her as a comrade—the memories, the moments. All of it. What’s understood is that everything that Aerith was to Cloud was carried over and fueled his reason to want to see her even in death—if romanticism was a part of those memories, those moments, no matter how small in the grand scheme of their connection, we can’t cherry pick it out of existence just because it doesn’t take expressive priority. From the game itself, I would use the “positive-end” method to understand that the romanticism there IS a part of the character, and if I include representations from other media or interviews, the authorial intention becomes much more clear.

As for the depth of these feelings? Again, Cloud’s time with Aerith isn’t a mystery. Whatever happens during that part of the game IS the depth of the feelings. I won’t identify it as a “crush”, but I just know it wasn’t deep enough to cause conflict in his relationship with Tifa because rationally (and by general storytelling standard), it would if so.

In any case, without a specific negative address of that romanticism, we can’t reasonably split apart what Cloud felt for Aerith from everything else he retained from his time spent with her.

And that’s what the Remake is basically addressing, pretty directly this time. I feel that way about a lot of things, and I absolutely believe the story is better off with it as we’re reaching more avenues for telling the FF7 story and development. What we’re getting here is something more direct and expressive than the OG, as I believe we will for most things, like we already have with Cloud and Tifa, Tifa and Aerith, and even Zack and Aerith. It’s doing much more. One could say that it might be making more of the romance than it was in the OG, but to me, I believe it’s about the same. The subject matter being brought up directly won’t change that on its own, but it’s curious that it was brought up this way.

So, if the OG didn’t represent the meaning of Aerith being right, that anything of which Cloud has for Aerith was made to be false after he gained his true self, then I don’t believe the Remake has a reason for doing it either. This is reinforced by the fact that Aerith being right just isn’t congruent with a lot of the other themes happening in the story there. It makes no sense to pinpoint the romantic feelings specifically as something Cloud didn’t feel—and again, his feelings for Tifa shouldn’t be it. How they decide to show the “answer” is up for thought as writers, as discussed, will find many ways to give meaning from their story. If the writing is consistent, what some CA fans expect won’t be what they will get, but CT fans acting like the meaning from the resolution won’t pop up ever again are already missing the point, too.

There are other interesting things though, like Aerith’s thoughts on death and this lifestyle point of view—how this connects to her hatred of the sky and those she has lost will be an interesting point for her character. Maybe even the anticipated arc of her time in death within the Lifestream and reuniting with Zack. We might finally get solid context for that. As for the black/dark feathers, I’m not sure if it even is, but it would certainly match the motif, like at the very beginning when Cloud is in the reactor. It flying by like that could simply be part of the reference to her death.

Parallel #5

Selling flowers in Evergreen Park

[Previous]

Parallel #4

The first succesful high five

And of all the objects, scraps and debris that could be part of the environment...

[Previous]

Parallels #2

Both the pink ribbon Zack gives to Aerith and the flower Aerith gives to Cloud are gifts made in order to thank Aerith/Cloud for their help...

...and after Aerith/Cloud answer perplexed, Zack/Aerith offer it as a memento of their first encounter.

[Previous]

[Another post about Aerith's ribbon]

Parallel #1

A couple of interesting references

Toward the end of Chapter 8 of the Remake - like in the OG - Cloud sneaks away from Aerith's house headed to Sector 7, but Aerith is already waiting for him at the border to Sector 6.

This scene is very important since it's the one where Aerith willingly decides to follow Cloud, the moment that sets into motion her adventure and that will lead her to her destiny.

Fans immediately noticed that the way Aerith appears from behind the debris and the way she walks away recall what happened in the dream that Cloud had in the OG, where Aerith told him she was going to stop Sephiroth alone.

When she starts walking Cloud has one of his headaches, the camera focuses on his right hand (the one he stretched trying to stop her in the dream) and he sheds a tear.

This seems to be another omen of her death - probably it is -, like he previously had at the church, but this short sequence hides also another compilation reference that probably most of western players didn't notice, since it went lost in the English localization:

When Aerith approaches Cloud saying "Because I'm not sick of you yet!", in Japanese she uses a sentence that she already used in Crisis Core with Zack: "I'd like to spend more time with you"(the comparison between the two Japanese lines will sound clearer here). Also her pose, with her hands behind her back, is the same of Crisis Core, and I can't say to what extent it is relevant in this scene, since the Zack-Cloud relation is often matter of debate, but Zack took the note with his right hand too.

I don't think this is casual. At first I thought it was just another Zack-Aerith references like many others during Chapters 8 and 9, but I think this one has a deeper meaning:

Aerith gave Zack the note before he left for Nibelheim, and she apperared in Cloud's dream when she left to go to the Forgotten City:

in both cases it was the last time the characters "spent" time together

in both scenes they promised to go back after they accomplished their missions (very Loveless)

and in both cases...they never came back again.

Aerith's decision to go alone to summon Holy led her to her death, and Zack's decision to go back to Midgar after reading the note - the most dangerous place for him - led him to his death too.

I can't say if this correlation will be relevant in the future parts of the Remake but I thought it was noteworthy, especially because it links up so well with the leitmotiv of Reunion.

Aerith's ribbon: is it still a gift from Zack?

It has been rumored by some fans that the Crisis Core scene where Zack gave Aerith the pink ribbon is no more canon, because kid Aerith has a pink ribbon too.

I don't mean to sound pretentious but...they're evidently different. Kid Aerith's ribbon has four ends, adult Aerith's ribbon has just two.

Since the original FFVII kid Aerith's had two outfits. She wore the blue outfit in the first part of Elmyra's flashback and the orange one when Tseng tried to convince her to return to Shinra.

In the Remake she wears the orange outfit only in the train graveyard vision and the blue one in all of Elmyra's flashback, from the moment she found her at the station up to when Tseng showed up. It's definitely not very evident because of the sepia tone filter, but we can compare her dress to the concept art and to the orange dress: she has no ribbon on the chest but wears a pinafore dress and a light shirt with bell sleeves.

This means that in the sepia toned scene she was wearing the green ribbon, as we can see from the concept art.

The scene at the train graveyard bears many similarities with the situation described in Picturing the Past, so she was wearing the orange outfit before escaping Shinra HQ.

When Elmyra found her and brought her in Sector 5 she had the green ribbon, not the pink one.

Someone tried to say Aerith stated the ribbon was a gift from her mother when she met Cloud at the church...

Nice try, but she was talking about White Materia. (Leaving a couple of links in case anybody wanted to check: OG, Remake)

So, not only there's no evidence that the pink ribbon is no more Zack's gift but that scene influenced also an important moment of the Remake: Aerith and Cloud's first encounter.

And in both cases the gift was made in order to thank the other for their help

CC: To show you my gratitude for that "hello" that woke me up.

Remake: You know, for scaring those things away.

Ehhh...can I say what a coincidence again?

Talk about a coincidence!

(Previous post here)

Midgar Blues

It has been said and repeated to death: there's a song dedicated to the "promise" in the Remake, and this should be enough to claim the "coincidence" post and end it here with a good link to enjoy the song.

But this song received some criticisms, so I'd like to talk a bit more about it.

1. "There is no evidence that this song is about Cloud and Tifa" and "It's just a random song in Wall Market without specifical meaning".

I saw some people trying to debate about this matter so, here we are.

The text perfectly describes the scene of the promise and Cloud leaving Nibelheim to join SOLDIER. It talks about a man/boy who left his hometown for Midgar, leaving behind a girl. There's a reference to the Lifestream and to the starry night with falling stars. The lyrics - both English and Japanese - are posted below.

This song has old-time/banjo&harmonica sounds that fit the "old west" atmosphere of Nibelheim.

The "author" of the song says he had started his career 7 years ago, when Cloud and Tifa shared the promise, and he's wondering if "Midgar Blues" will be his greatest success. Get the metaphor.

From a storytelling perspective this is NOT a coincidence: no reasonable company invests money and resources to create this sort of content without a reason (and no reasonable company invests money and resources in a song submissively sang in a hidden location of the game, probably this piece will have more focus and importance in the next parts of Remake when the promise will be brought up again - who knows, maybe at Gold Saucer?).

2. The original Japanese lyrics are different from the English translation (hence: it's not about love)

(Source)

The English version is undoubtly romantic and includes the words "True love", while the Japanese version doesn't. I'd like to point out a couple of considerations:

Whether you take the English version or the Japanese one, they're both romantic. It really doesn't seem to me that the original version sounds like a man singing for his sister or his mother. The romantic subtext is in both songs, and it's no wonder: the fact that Cloud was in love with Tifa at the time of the promise is history, more likely the addition of the "True love" part could be made in order to convince the most relunctant part of the western fandom about this subject.

This is a "Enka" song, a popular Japanese music genre that bears some resemblance with blues (for this reason, "Midgar Blues"). This genre is a form of sentimental ballad: enka songs usually express strong emotions, especially love.

This is more a personal opinion about localization from the perspective of someone who's not a native english speaker. I've read many harsh comments about the English localization of the Remake. Especially when it comes to LTD I've seen people from both sides of the fence complaining the translators to be biased CA or CT fans. Fact is that if the complain comes from both sides probably they're not the first nor the second, they're just...translators. I'm not a translator but I speak many languages and it happenes to me to watch and rewatch movies both in English and in my native language. You'll never find a literal word-by-word translation, ESPECIALLY when it comes to songs. Because it wouldn't work. A good localization has to follow the pace of the lip-sync, has to create rhythm, rhymes and lyricism when it comes to poems and songs, it has to convey the right feeling before the right word, it has to take into account the cultural differences from the country of origin of the movie/song and the receiving audience (in this case Japanese people tend to be more descreet and less explicit than western people when talking about love), and much more. With this I'm not saying everyting in the localization is perfect, I don't speak a word of Japanese so I can't make a comparison myself, but just remember that the devs DO speak English. They speak it well enough to notice the difference between the two texts of the song and if they authorized it (I doubt nobody bothered to double check the international scripts of one of the most important products of this company)...it just means that they agree.

In conclusion, yes, it's a love song about the promise and no, it's NOT a coincidence.

Aerith & Marlene: a special bond

Marlene Wallace is a little sweet 4 years old child and Barret’s adoptive daughter.

The strange interaction between Aerith and Marlene in Chapter 12 of the Remake raises the mistery: what kind of information did Aerith share with this kid? And, more importantly, why?

This scene brought up a longstanding question too: is Marlene a Cetra?

I don't presume to have an answer! I have no idea about what the devs have in mind for this character. With this post I'll just try to highlight all the elements that showed the bond between Aerith and Marlene in the FFVII compilation.

Key Art

Since the early concepts of this character, Marlene’s been represented holding a flower. Nothing really strange, if it were not for the fact that flowers in Midgar are true rarety and are mainly related to Aerith.

Marlene is in Barret’s key art. The picture is more or less the same both for the OG and for the Remake and it depicts Barret and Marlene staring at the flower bed in Aerith’s church, even if this specific scene has never been showed in any entry. 

Final Fantasy VII

In the OG Tifa asked Aerith to rescue Marlene from Seventh Heaven before the collapse of Sector 7 plate. They spent a relatively short time together, but Marlene became immediately very fond of Aerith and never forgot her.

The player could find again Marlene with Elmyra, while Aerith had been kidnapped by Shinra. Marlene told Cloud that Aerith liked him and she got really angry if he didn't answer in an interested way (”Stupid!”). But if he answered in a positive way she was also aware that it was the kind of information that could hurt Tifa (”I won’t tell Tifa”).

If the player had the date with Aerith, Marlene recognized her voice and, later, Cait Sith said she got really sad when she came to know about Aerith's death.

Marlene appeared again at the very end of the game where she perceived Aerith's presence when the Lifestream started to erupt from the surface of earth to reject Meteor.

On the Way to a Smile

Marlene appears also in the novel On the way to a smile, especially in Case of Tifa. She is described to be a very sensitive and mature child:

It was Marlene who noticed the changes in Cloud (...) Marlene was an observant child, sensitive to the grown-ups’ moods.

Maybe Marlene thought Tifa wasn’t listening when she said in a small, lonely voice, “Cloud and Tifa aren’t getting along”.

This would mean nothing if taken out of context but I think it fits the continuity of her character development until Advent Children, the entry where she is openly depicted to be a little copy of Aerith.

Advent Children

At the beginning of the movie Marlene is the narrator that resumes the events concerning Meteorfall, the Lifestream and the battle against Sephiroth. 

She has the same hairstyle and pink ribbon as Aerith, and her white outfit slightly recalls Aerith’s dress from Crisis Core. Her skirt and socks are decorated with floral motives. 

She behaves like Aerith: she is blunt, encouraging and she always sais what she thinks

Her room is full of interesting elements:

There’s a pink sleeveless dress in a corner

There are various pictures of flowers hung on the walls and a vase of Aerith’s flowers on the windowsill

There’s a picture of a church and the photo of the flower bed in Aerith’s church  

(Yes I know, the quality of the images is really bad. I’m looking forward for the 4K version of the movie in June).

Marlene has sort of a healing role toward Denzel, since she takes care of him when he has Gestigma symptoms (in the movie and the novels) and she is the only child who has no Geostigma. The Remnants seem to understand that she’s different from the other children and they keep a close watch on her

When she arrives at the church she tends the flowers like Aerith used to

When Loz’s going to kill Tifa she distracts him throwing a globe of Materia that looks exactly like White materia

She senses where Cloud has Geostigma (he has a puzzled look when she askes if it hurts, as if she wasn’t supposed to know it)

When Aerith intervenes in the battle she can feel her presence (in the Japanese version she sais お姉ちゃん, which means “older sister”).

Final Fantasy VII Remake

In the Remake Aerith meets Marlene in the same way as she did in the OG but this time Tseng finds them immediately at Seventh Heaven (I’m not sure if this is meant to be a relevant change or just a revised and more realistic way to show the scene, all we know is that the Whispers didn’t intervene). Despite this change something “strange” happens between them anyway...

Marlene, who was crying frightened, immediately calms down and hugs Aerith again. She notices that she smells like “their flower”, to which Aerith answers:

as if she already knew they won’t spend much time together in the future. 

Before Barret and the others leave to save Aerith from Shinra, Marlene tries to warn her father saying he should help Aerith but she can’t explain the real reason. 

And dulcis in fundo, at the end of the game, Marlene, once again, can perceive the “presence” of someone. In this case it’s her daddy calling her name.

And that’s all for now! 

I have no idea how the story is going to develop in the next entries of the Remake, but maybe it is not so wrong to think that this young character will have a more important role in the future!

Marle's dog...??

Talk about a coincidence!

(Previous post here)

Aerith's key art

Since the release of the original FF7 each main character's had a dedicated key art.

They mostly remained unaltered in the Remake because their symbolism applies to both entries, while Aerith and Yuffie's changed in order to fit the themes of this new installment.

In the first picture Aerith was looking at the Highwind, but in the new one the airship's disappeared...why?

In the OG she wished she could fly on the Highwind one day. Probably this key art was meant to give to the player the illusion she could fulfill her dream and continue the adventure with her companions, in order to make more painful and unexpected her destiny.

I think her Remake key art has a totally different meaning. The central point of this picture is not the absence of the airship but the fact that she's staring at the blue sky:

The last line of the Remake makes more sense in Japanese

The sky, I hate it.

It links up better with the scene of Crisis Core where she perceived Zack's death while it started raining.

But maybe this time there's a chance...

This new picture has also a parallel with Tifa's key art: both staring at the sky, both relating it to a special person❤️

What a nice coincidence!

Talk about a coincidence!

A debated canonicity

(Previous post here)

Mad1en who Trave1s the P1anet (adding typos to prevent unpleasant comments) is one of the most controversial entries of FFVII lore.

It was included in FFVII Ultimania Omega, published in 2005. Fans have debated ever since if this short story is part of the canon entries of the compilation, as it was written by an external writer that never took part to the realisation of the game.

Part of the fandom thinks it's canon because Square Enix never said it isn't, another part thinks it's not canon because Square Enix never mentioned it again ever since it was published (neither ever provided an official translation nor decided to sell it outside Japan. Quite self-explanatory, considering that "Picturing the Past" has been immediately translated and it's sold everywhere in the world).

The particularity of this novel is that here Aerith states she loves Cloud more than Zack. Not a word is spent to describe how she feels when she understands that Zack didn't cheat on her but endured experimetations for years and died to save Cloud, and that Cloud had created an alter ego based on Zack's traits. These lines started to divide the fans after the release of Crisis Core, that describes a tender and sincere romantic relationship between Zack and Aerith.

Yes, SE never officially said if this novel is canon or not, but I'd like to point out a fact:

The Remake includes tons of references to all the entries of the compilation.

Some examples?

The Avalanche members that show up in Chapter 4 wear the original uniforms of Before Crisis:

Crisis Core references can be found everywhere in the game, for one thing, Zack's last stand:

Dirge of Cerberus was already hinted in the game when Cloud, Tifa and Barret fell in the misterious lab beneath Sector 7 and is going to be heavily referred in the Intergrade. From the trailer we can see Weiss:

There are many references to Advent Children too. For example, Sephiroth has the black wing that he only showed in the movie:

Last order is quite difficult to refrence, as it doesn't add anything new to the story but it's rather a reinterpretation of Nibelheim incident. Anyway, it is mentioned in FFVII Remake World Preview (Square Enix book that includes "Picturing the Past"):

And now talk about the novels:

New characters, like Kyrie, come from The Kids are alright, a Turks side Story:

And here's an example from On the Way to a Smile too: from a dialogue with Jessie it's revealed that Cloud doesn't know the names of vegetables:

...turned out he [Cloud] didn't know a carrot from a gysal green. At first, Tifa was amused that mighty Cloud's new life started with learning vegetables names... (Case of Tifa)

So:

Before Crisis

Crisis Core

Advent Children

Dirge of Cerberus

Last Order

The Kids are alright

On the way to a Smile...

Picturing the Past was written alongise the Remake to clarify the origins of the mural painting in Aerith's room...

They are all abundantly referenced multiple times during the game. Find a more exhaustive list here.

And now it's the turn of Ma1den who trave1s the P1anet.

The author of this novel based himself on the original dialogues and story of the OG and reinterpreted them adding some new elements to create a coherent narration (full of discrepancies that, ehm, have already been disproved years ago, like Aerith's age when she met Zack, Hojo being not really dead, Zack's personality being totally different from Crisis Core, Aerith already knowing about Zack's death, normal souls that should merge immediately in the Lifestream, Omnislash being not Zack's ability...not that this ever convinced anyone).

Correct me if I'm wrong, but...

There are no references at all in the whole game. Not a single word that inequivocally refers to this novel.

Not a word to hint the fact that bad people's souls will rot in the Lifestream and won't be part of it because their spirits are beyond redemption (like what happened in the novel to President Shinra and Hojo).

In the novel Biggs, Wedge and Jessie are tormented by the deaths caused by the explosion of Mako reactor n.1. Jessie feels guilty both in the OG and in the Remake but Biggs and Wedge don't show much regret and the Remake shows that Shinra caused the massive explosion of the reactor, not Jessie. But wasn't the Lifestream supposed to be the place where all knowledges are merged together? I may be wrong but this would suggest that Jessie would have known it after her death.

There are hints that suggest the Aerith of the resolution scene is the one who already died in the OG: she talks to Cloud as if they had passed a long time together, she talks about death and finally disappears in a sparkling greenish light.

It would have been a great scene to put any reference to Ma1den but...it didn't happen.

Well...wierd the devs forgot to mention just this entry...

What a coincidence.

Talk about a coincidence!

(Previous post here)

On 14th February 2019, Square Enix decided to celebrate Valentine’s day with an article about 

5 great Final Fantasy love stories.

Here we find:

- Noctis & Lunafreya (FFXV)

- Tidus & Yuna (FFX)

- Maria & Draco (FFVI)

- Squall & Rinoa (FFVIII)

and..........

Zidane & Garnet? Celes & Locke? Serah & Snow?

No

Zack & Aerith. Crisis Core. 

Weird. This happened just one year before the release of the Remake, where, coincidentally, there are tons of Crisis Core references. Aerith almost cries while remembering Zack, Zack survives his last stand and there is a beautiful slow-motion scene where Zack and Aerith perceive each other’s presence while Hollow starts playing...

But don’t worry,

It must be just a coincidence!

Talk about a coincidence!

A possible connection between Aerith and Stamp (as a reference of Zack)

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BEFORE READING: This post is based on theories more than actual facts, since the true nature of Stamp hasn’t been revealed yet. I’ll provide some elements that could hint its connection with Zack but all this has to be considered as a personal opinion. If this will turn out to be all wrong, I apologize in advance.

(Link for the previous post here)

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Stamp is a new character introduced in FFVIIR. It is:

“A sweet little canine character beloved by the citizens of Midgar. A regular fixture in cartoons and movies, his face is on every corner of the city either in toy or poster form. Originally used as propaganda material during wartime.”

Most of the fans assume that this dog is a metaphor to represent Zack. The main proof for this theory is the fact that, in Crisis Core, Angeal used to compare Zack to a puppy:

“Are you Zack, the puppy? My son wrote to me once about you, zero attention span, restless as a little puppy.” - [Angeal’s mother to Zack].

This description links up very well with Stamp’s song lyrics (here).  

The biggest mistery around this character is its double design: it is shown to be a beagle during the whole game, but in the end we can see it as a terrier. 

My personal opinion is that this is a metaphor about Cloud’s fake persona. We, players, mostly play as Cloud, so we see the elements of the game through his eyes (and we never see Stamp when we are not Cloud).Cloud thinks to be a former SOLDIER because he’s overlapped his image on Zack’s. 

“Real-Stamp” (Zack) is the terrier, but we see it as a beagle (Cloud) because we see the world through his alter ego. 

At the end of the game, when Zack defeats his destiny, we can see terrier-Stamp because Cloud has no altered personality (or, at least, not yet).

So, my take is that Stamp represents Zack in both forms. 

Of course, I could be totally wrong.

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I’ll provide some comparisons to support this theory. Around Midgar we can find some posters with Stamp, and most of them can be related to actions that Zack did:

Zack encourages Cloud to work hard to become a SOLDIER.

Zack saves Mako poisoned Cloud, carrying him from Nibelheim -represented by the flames- to Midgar.

Zack took part to a mission in Icicle Inn with the Turks against Avalanche. During the mission they had to go through a cave with falling icicles. There he lost two SOLDIER friends (mabe this will have something to do with the Intergrade?). 

There’s a Stamp magazine on Tseng’s desk. The only other times we’ve ever seen his desk was to show Aerith’s letters (Crisis Core) and the dossier about Nibelheim incident, (Last Order) when the Turks were trying to save Zack from the army.

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That said, assuming I got this subject at least partly right, let’s talk about the elements that link Aerith to Stamp-Zack.

In Aerith’s childhood room, in Shinra HQ, there’s a book with Stamp and a letter in the background. I tried to translate what’s written on the cover but the picture is very blurred, so there could be mistakes, especially because I don’t speak Japanese (in bold the parts I’m rather sure to be right):

スタンプからの招待状

さえスタンプファンクラブ 「スタンププリーダー」      

Invitation from Stamp 

 Only Stamp fan club “Stamp breeder”

Definitely a strange translation. 

Anyway, the odd fact is that this book appears in Aerith’s room, of all the places of the game, and nowhere else, so I’m wondering if it is maybe meant to metaphorically hint the 89 letters Aerith wrote to Zack.

(Picture taken from Reddit)

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There’s another detail that could link Stamp-Zack with Aerith: the stars.

In both designs Stamp wears a hat/helmet decorated with stars. Stars have been often used as a military symbol around the world, and so seems to do Shinra.

All characters’ outfits have been redesigned for the Remake. On the shoulders of Aerith’s jacket we can see some decorative stars. And not common stars but military stars, normally used in army uniforms or medals. Quite an uncommon choice for the clothes of a girl strictly related with life, peace and nature (a link to an older design of her jacket without stars, meaning they were introduced purposely for the Remake). 

As a side note, her gray bracelet has the same design of the guard of the Buster sword. 

Talking about stars, also in her canon outfit to see Don Corneo she wears some accessories with star pendants (earrings, necklace, bracelets and sandals). At first it seemed to me a strange choice, as stars in FFVII are commonly related to the promise (and there were no stars in her OG red dress), but in the light of a possible connection with Stamp-Zack it really makes more sense.

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In short, I’m convinced the devs are hinting once more Aerith’s bond with Zack, even in these subtile details. I was unsure if I had to created this post, given the uncertainaties around the subject. Anyway..

..even if I’m wrong, I have to admit it is a good number of coincidences!

EDIT:

All this recalls me something...

"Aerith’s star and Cloud’s star! They show a great future!” [Cait Sith, Temple of Ancients]

...and now it turns out the stars could be related to Zack? And consequently related to Cloud because of his alter ego? What a coincidence...