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Breakup day drabble! (Part one: Johnny)
I missed Valentines day, I know. I planned to feed you guys but I ended up sleeping fourteen hours almost consecutively. Sorry gang, my bad.
This is gonna be a longer drabble, split into parts for each Tf141 member (and others, if requested and I can write for them), and one final poly breakup (separate from the others, obvi). I haven't fed y'all and I feel like an absent father lmao
Warnings!: Big sad. Yelling (it is VERY regretted), terrible boyfriends (all four of them are fumbling the bag like CRAZZYY)
Also I wrote this tired as fuck, so if I made any oopsies here, absolutely correct me <3
You've got no issue with a little fire in a partner. In fact, it's something you've come to seek out as you grew up.
It's only logical, isn't it? You need someone who can keep up, someone who's not going to be holding you back from getting orders out of the way.
Work hard, play harder.
Of course, you liked Johnny for many more reasons than just that one.
He was an absolute sap at just the right state of drowsiness, he drew you like you were a downright deity, he... he really fucking cared.
You didn't regret making it official, getting to know damn well that Scot was yours when the day was over and it was time to sleep.
That being said, every relationship has its rocky patches, and you've got the feeling you're about to be in the middle of an ugly one.
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You don't regret making the call. Not even a little bit.
This mission wouldn't have made time if you hadn't buckled down and pointedly ignored both Johns in your headset calling you a moron in a strained whisper from cover.
The objective was secured. There were a good chunk less terrorists in the world because you put them down. A little gash in your side, but that's no issue, so you'd deem it successful.
Unfortunately, Johnny doesn't seem to think the same way. You can feel the roiling, stirred-up and not calming back down like usual.
You let him stew on the flight back to base, quietly bandaging your own wound with a small antiseptic wipe Gaz had wordlessly put into your hand when he first saw you trotting up.
Price is tired, but he's not as upset as he used to get over this sort of stunt from you. It's a fatherly sort of exhaustion, you're half-sure at some point he said that you're giving him gray hairs.
You earned three days' work cleaning the bathrooms for snorting, but no more. You would have earned many more days if you asked if he was finally going soft, even if he was.
Still, after a few hours, Johnny doesn't seem to have cooled down. He's pointedly silent, fuming in his little corner.
It takes a special sort of bitchiness to make Ghost look like a put-together, social man. You've long accepted that your man is a little bit of a child on occasion.
So, as any reasonable partner would, you leave it alone. Let Johnny sort though these feelings, because you know he doesn't want to hear it from you right now. If he wanted to talk, he could ask.
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Well, lo and behold, it only took five hours.
The knocks on your door are familiar. A three-beat rap-tap-tapping. Firmer than usual.
"Luv? You ready to talk about it now?"
You open the door to a sight. Not a great one, mostly because you know it shouldn't make you giggle a little.
A grown-ass man. Not just that, a sergeant, pouting.
"Bayonet."
He must see the way your brows pinch at your callsign being used instead of your name, but Johnny doesn't do a thing to stop himself.
"Are ye feckin' stupid, or jus' having a little craic on the clock?"
"Callsigns stay at work, Johnny. Unless you've got full intentions of this being a professional meeting."
That long-standing agreement was something you really did like. Johnny had agreed to use it a long time ago, and the only lapses (before this one, of course) were simple mistakes, easy to excuse and forgive.
"Och, this is professional alright, what the fuck were ye thinking?!"
His voice is raising, but it brings no fear, just annoyance.
"If I have to remind you, it worked. We wouldn't have made it back to Nik on the clock if I hadn't. No major injuries, either."
Johnny's starting to fume. His brows are knitting together, usually-bright face drawing down into some ugly mixture of anger and something else you don't quite have a word for right now.
"Are ye actually-"
"MacTavish, it fucking worked. I only take risks when I know it's something I can handle, and frankly, if you're upset about me doing my job, then you should handle it the way we agreed to handle it."
Calmly. Slowly working through the issue, training together, anythinig as long as it wasn't a screaming match or a contest. Not this.
"You're a fucking liability is what I'm trying to tell you! Your callsign is Bayonet fer a feckin' reason, you daft cunt!"
You're not sure who made him think he could talk to you like this, but he just. Keeps. Going. It makes your chest heat to a fever, though you keep your face measuredly ice-cold, flat so Johnny can't gleam anything from your expression.
"Ye're a gamble at best, a last resort, ye should'ave stayed off the line an' let someone else handle it! Ye got hurt because you dinnae listen to th' orders!"
Ohhhhh, that's not professional anymore. A slight on your own callsign, when he wasn't even there to see you earn it.
Asshole.
"Watch it, Soap." Is the only warning you can bring yourself to offer, glaring into those baby blue eyes with the vitriol provoked by the man before you.
"Nae, ah'm not gonnae watch it! Ye pull shite like this, an' I have to come o'er an' pretend I wannae patch yer stupid arse back up!"
You've never been in the business of cutting someone off before they can finish their sentences, but you're starting to doubt your ability to be civil.
Soap's refusing to meet you on any agreed-upon grounds, he's not separating your relationship from work and that's a slippery slope.
And you're fucking upset. This anger isn't something you can tamp down, it's the worst kind.
The sort that twists you in the guts and makes your eyes hot. The sort that makes a headache sparkle to life and the small wound in your side throb and ooze into the bandages a little bit more.
The sort that makes you want to scream. But you won't do that. Not to Soap.
"This isn't how we agreed to handle conflicts. Come back when you can sort your feelings enough to keep yourself from screaming."
Icy, you know it is, but Soap grabs the door before you can finish.
"Close this fucking door on me, and I will skin you." The threat rings hollow. Oddly similar to the sound of the plywood door sliding shut.
Soap moves his fingers away just before they gain a set of new joints in all the wrong places.
There's a frustrated growl, and a series of footsteps thumping away, in the direction of the gym.
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You slept awfully that night.
The frustrated tears cleared easy, but the anger itself didn't, because really, how dare he. Showing up to your space, calling you a dunce, and breaking the most fundamental rule of your relationship.
Luckily, a small ping pulls you from the continuation of this spiral. A text from one Kyle "Gaz" Garrick.
What did you put up Soap's arse? Just asking.
You snort.
Nothing. Reckon he'd be in a better mood if I had.
The three dots appear, vanish, reappear before you get a response.
He's being a cunt today. Think you should steer clear.
That dampens the mood a bit, but again, it's not too far from your expectation. Johnny had his feelings big, and loud. It was honestly overwhelming sometimes, but you'd learned to handle it over time.
You hated it most when he made issues he had with you a team issue.
Girls' night then? I got that oil for your hair
...I'll bring the bonnets
You smile despite yourself, and rise from bed to get yourself ready for an easy day.
Unfortunately, the next notification is one you miss until you come back to your room, exhausted but satisfied after writing the mission's postmortem.
I'm done wie yer shite
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Most of the "girls' night" Kyle wanted to share with you is making sure you don't cry so hard you pull your stitches.
Tuesday, Nov. 1st, 2022 Part 2
4:35pm
The second thing we talked about was Angel (again) needing to draw the line between her and Gem vs. me. She brought up how she needs to pour into herself, the same with Gem, but they haven’t been able to because they have been so focused on me (?) and their jobs. She also talked about how I enter the living room when they are having conversations between just them, and how I need to be more mindful of that. She then felt the need to say once again that she will always talk and choose Gem over me and to not take it personally, which I don’t (?).
But, what’s bothering me is why this has to be a conversation topic that keeps coming up? I don’t mind if Angel or Gem don’t always tell me things and want to keep things within their relationship, but I’m not the one coming up to them asking for them to share things with me. They share a lot with me, to begin with, off of their own decisions to do so. Even though she said that she doesn’t want this to feel like roommates, I don’t feel that way at all. It feels uncomfortable because it feels like I’m invading their space and their relationship.
I will definitely be more mindful of their conversations, and will try to leave the house more often to satisfy that need. I respect their relationship, but it’s not like it hasn’t dawned on me that they’re my older sisters and that my stay is temporary.
Part 1 -- Part 3
Tuesday, Nov. 1st, 2022
4:35pm
Dear Me,
I’m at the Brookside Market today, and there’s so much on my mind. First, when I woke up this morning, Angel (oldest sister) was in a bad mood and wanted the apartment to herself. I didn’t know what to do with myself because I needed the space too, simple as that. The apartment is a safe space that shelters me from the outside, from New York City, while I am still struggling. It concerned me that she was feeling bad and I wanted to give her space, but I also wanted to talk too, we haven’t talked one-on-one much at all.
I ended up just staying to myself and offering to make her breakfast, to which she turned down. After I ate, she talked to me about me about my spending impulses after the heels I bought as a birthday present for myself arrived. She wants me to stop being so impulsive with “indulging” myself and stop spending my money carelessly. I told her that I never learned what it means to be responsible with money and practically took advantage of the money available. She was extremely frustrated and abrasive, and went towards assuming that I expect for money to always be there. That I expect people to cover my needs while I indulge in what I want. She’s right? I guess?
Despite whatever negative consequences come, I just move forward with asking for more money when I’m in hot water, just to put myself in the same situation over and over again. I want to be smarter with money, not only for the purpose of learning, but to be successful with the life I want to live. I just need to be more conscious of how I spend. I need to think about the bigger problems more, and really use my money for my needs, instead of thinking about my immediate wants. I need to be more forward-thinking with my money WHILE using my money to provide for myself independently, starting now. All of my basic needs are being covered, but they won’t anymore.
She decided that she and Gem are no longer giving me money, so I have to change and provide for myself. BUT, this is not to say that I want to rely on them or take advantage of them, ever (I haven’t even been spending their money when I’m “indulging”). I still feel really bad about my actions in response to them helping me, and I don’t want to continue those actions. To Angel and Gem, I’m so sorry for unintentionally hurting you and spending money that I have and that you gave me on unnecessary things, rather than saving towards my potential apartment or my subway card. It was not smart nor respectful to do so, and I promise to take this information (even with the nasty delivery) and be smarter with my money, and to learn from this and grow from this point onward.
Part 2 Part 3
So I really like Wonder over Yonder cartoon so i was like: “Why dont draw some really crappy humanizations and share them on tumbler?” And after 5 min there was a second thought: “Hater is a skeleton, so why don’t I draw him so creapy that I would shit my pants If it was real life?” And when I was finished i decided to add some gay-looking cyclope peepers. He is probably yelling at someone (wonder?) something like: “Get the fuck out of hear!” or “I see him! He is there!” Why he is with long hair? Because it’s FABULOUS, and because I Just Want It That Way. Deal with it! (≖︿≖✿) PS:[I’m from Russia and obviously english isn't my first language, so please excuse any mistakes.” D:>]
Life hack go manic and scream at your mom that you'll fight her and she'll finally get you those driving lessons she's she putting off getting for over 2 years
Our head hurts,,might delete this later,,CW for guteral yelling and crying./this is a vent
Goodnight everyone.
Ok, here it is. We've had the 'insane things Paul has said about John' list, now here's 'insane things John has said about Paul'*
*Note: Some of these are ‘John said to me’ quotes rather than words from John himself, so take these ones with a grain of salt.
And because so much of John’s Paul-induced insanity reflected in his actions, some (dis)honourable mentions…
Cutting up a girl's clothes and calling her a whore for sleeping with Paul (from the Beatles Anthology book)
Being mean to Jane when Paul first meets her
Defending Paul after the LSD controversy time and time again
Writing 'I'm always perfect' on a photo of Paul and 'funeral' on a photo of Paul & Linda's wedding
Getting upset about Too Many People and writing How Do You Sleep in response
Mocking the Ram photo with a pig
Using the 'Let Me Roll It' riff in Beef Jerky
Having a fight with Yoko and immediately running off to Paris
Other icebergs…
Insane things Paul has said about John
McLennon - by @frodolives
Paul McCartney - by @frodolives
Sources, full quotes and some others that wouldn't fit under the cut!
"If I can't have a fight with my best friend, I don't know who I can have a fight with" - The Mike Douglas Show, 1972
"Things are still the same between us. He was and still is my closest friend, except for Yoko" - 1971 interview
"He said to me, 'Artie, you worked with your Paul recently … I'm getting calls … that my Paul wants to work with me and I'm thinking about it … How did it go when you worked with Paul?'" - Art Garfunkel anecdote (submitted by @didwemeetsomewherebefore)
Mintz: There's one name that has not come up in our discussion [...] Paulie. John: Yes, we did! We got Paul in it. And I object to that 'Paulie' business - 1973 interview (submitted by @didwemeetsomewherebefore)
"If anybody said anything bad about Paul, John'd take a swing at you. He'd say, "You can't talk about Paul like that". Paul was his best buddy" - Alice Cooper anecdote
"I'm entitled to call Paul what I want to, and vice versa; it's in our family. But if somebody else calls him names I won't take it." - 1974 interview
"Paul was one of the most innovative bass players that ever played bass. And half the stuff that’s going on now is directly ripped off from his Beatle period." - 1980 interview
After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?” “Frankly,” John replied, “I miss Paris.” - Loving John by May Pang (1983) (submitted by @big-barn-bed)
"The Boulevard Saint-Germainegreer shone in all its springbok glory as he stepped lightly on some French loafers toward the waiting arms of Comrade Amie" (and a lot more) - Skywriting by Word of Mouth
"My cheri my pau pau, do you remember when we were at a cafe on the left bank? You could not find your garter? Because it was on your little prod" - John's song demo (submitted by @thewalrusespublicist)
"I'm just like everybody else, Harry, I fell for Paul's looks." - Harry Nilsson anecdote (submitted by @thegirlwiththeaxe)
"He also looked like Elvis. I dug him." - John in Hunter Davies’ The Beatles: The Authorised Biography (1968) (submitted by @lesbianjohnlennon)
As the limousine edged through the screaming fans outside the cinema, John said laconically, 'Push Paul out first, he's the prettiest.' - Victor Spinetti, Up Front: His Strictly Confidential Autobiography (2006) (submitted by @fishfingerpies)
I could even hear what they were saying off-mike; ‘Oh Paul, you’re so cute tonight.’ was met with the reply 'Sod off, Lennon.’ - concert anecdote (submitted by @rabiessnail )
'Are those jeans tight, Paul?' That was John. 'What do you mean tight?' 'I can see your suspender belt through 'em and your stockings. You've got ladders in them.' Victor Spinetti, Up Front: His Strictly Confidential Autobiography (2006)
John: It sounds a vaguely good idea but I wouldn’t have my wife or any of me friends wearing them. Paul: Well, you’ve had us wearing them. John: I know, Paulie, but you’re so well-built - 1964 interview
Ringo: And I Love Her, yeah I love that one …and the way you sing it knocks me out, man. John: And the way that camera goes over your head… I thought, 'hello' - 1964 interview
"Meeting Paul was just like two people meeting. Not falling in love or anything. Just us. It went on. It worked." - John in Hunter Davies’ The Beatles: The Authorised Biography (1968) (submitted by @i-am-the-oyster, @thewalrusespublicist)
"Hey! Did you dream about me last night? …Very strong dream. We both dreamt about it. It was amazing! Different dreams, you know, but I thought you must’ve been there…. I was touching you" - Let It Be sessions, 1969 (submitted by @adriennefrombrooklyn)
"We do need each other alot. When we used to get together after a month off, we used to be embarrassed about touching each other. We’d do an elaborate handshake just to hide the embarrassment… or we did mad dances. Then we got to hugging each other. Now we do the Buddhist bit… arms around. It’s just saying hello, that’s all." - - John in Hunter Davies’ The Beatles: The Authorised Biography (1968)
Houghton: How do you feel about Paul McCartney now? John: Uh, we’re – haha. [laughs] This is like a joke: “We’re just good friends.” We’re – we’re pretty close now, like I was telling you before. - 1974 interview
"Nobody ever said anything about Paul having a spell over me, when I was with him for a long time. Or me having a spell over Paul. They didn’t think that was abnormal, two guys together. […] Why didn’t anybody ever say, “How come those guys don’t split up? I mean, what’s going on backstage? I mean, what is that Paul and John business? Why – you know, how can they be together so long?” - 1980 interview
"When I’m up against the wall, Paul, you’ll find I do my best" - Let It Be sessions, 1969 (submitted by @iiiiiiits-m)
"The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists." - 1972 interview (submitted by @big-barn-bed)
“When we sang together, Paul and I would share the same microphone. I’d be close enough to kiss him […] So we’d be playing these concerts, in front of thousands of people, but the only thing I could see was Paul’s face. He was always there next to me – I could always feel his presence. It’s what I remember most about those concerts.” - Elliot Mintz, 'We All Shine On: John, Yoko & Me' (2024)
Paul: There’s a story. There’s another one – ‘Don’t Let Me Down’. “Oh darling, I’ll never let you down.” Like we’re doing— John: Yeah. It’s like you and me are lovers. Paul: [reserved] Yeah. [pause] John: We’ll just have to camp it up for those two. Paul: Yeah. Well, I’ll be wearing my skirt for the show, anyway. - Let It Be sessions, 1969 (submitted by @alienoriana)
"The early stuff – the Hard Day’s Night period, I call it – the early period, was the early equi– se– what I’m – what I’m equating it to is the sexual equivalent of the beginning of a relationship, of people in love. And the Sgt. Pepper-Abbey Road period was the period of maturity in the relationship. And maybe had we gone on together, maybe something more interesting would have come out of it." - 1980 interview (submitted by @thewalrusespublicist)
"I mean, there were quite a few women he’d obviously had that I never knew about. God knows when he was doing it, but he must have been doing it" - 1972 interview
“It’s just handy to fuck your best friend. That’s what it is. And once I resolved the fact that it was a woman as well, it’s all right. We go through the trauma of life and death every day so it’s not so much of a worry about what sex we are anymore. I’m living with an artist who’s inspiring me to work." - 1971 interview (note: I know the 'best friend' here is Yoko, but the implications, baby...)
"He rang up and said he’d got this job and couldn’t come to the group. So I told him on the phone, “Either come or you’re out.” So he had to make a decision between me and his dad then, and in the end he chose me. But it was a long trip." - 1971 interview
"This song was written by an old estranged fiancé of mine called Paul" - Introducing 'I Saw Her Standing There' at Madison Square Garden, 1974 (submitted by @didwemeetsomewherebefore)
"The person I actually picked as my partner, who I’d recognised had talent, and I could get on with, was Paul" - 1980 interview (submitted by @crepesuzette2023)
"It would not have been the same. It would have been a different thing. But maybe it wouldn’t either. Maybe it was a marriage that had to end. Some marriages don’t get through that – that phase. It’s hard to speculate about what would have been." - 1980 interview (submitted by @thewalrusespublicist)
"I was living with Paul then, so I wrote with him. It’s whoever you’re living with. He writes with Linda. He’s living with her. It’s just natural" - 1971 interview
"It's like when the lawyers come into the divorce, you know? And that makes it a whole different ball game, you know… 'speak to my lawyer'" - 1973 interview
"It was never a legal deal between Paul and I. It was a deal we made when we were fifteen or sixteen, when we decided to write together, that we’d put both our names on ’em, you know." - 1980 interview
"And “go out and get her,” you know, and forget everything else. So subconsciously I take it that he was saying, “Go ahead.” On a conscious level, he didn’t want me to go ahead. So subconsciously, he… The angel in him was saying, “Bless you.” The devil in him didn’t like it at all. Because he didn’t want to lose his partner." - John talking about Hey Jude, 1980 interview
"When I slagged off the Beatle thing in the papers, it was like divorce pangs, and me being me it was blast this and fuck that" - 1974 interview
"And it’s really lawyers that make… divorces nasty. You know, if there was a nice ceremony like getting married, for divorce, then it would be much better. Even divorce of business partners. Because it wouldn’t be so nasty." - 1971 interview
"It’s like asking a divorced couple, “What day was it that – that decided you to – that the marriage wasn’t going well?” I didn’t – there was no date." - 1976 interview
"I’ve compared it to a marriage a million times, and I hope it’s… understandable for people that aren’t married, or any relationship. It was a long relationship." - 1976 interview
"I’ve only selected to work with – for more than a one night stand, say with an odd thing with [David] Bowie, or an odd thing with Elton [John], or anybody who was hanging around – two people. Paul McCartney, and Yoko Ono. Okay?" - 1980 interview
"I seen through junkies, I been through it all, I seen religion from Jesus to Paul" - 'I Found Out' lyrics, 1970 (submitted by @johns-prince)
“I’m glad that’s over. I feel like I’ve been keeping a vigil for him. Not that I care, you understand.” - John, according to John Green, Dakota Days (1983)
"One girl very shyly gave George a button badge which said ‘George for PM.’ ‘Why would Paul McCartney want you?’ said John to George.” - Hunter Davies’ The Beatles: The Authorised Biography (1968) (submitted by @didwemeetsomewherebefore)
John: "I was trying to put it 'round that I was gay, you know-- I thought that would throw them off… dancing at all the gay clubs in Los Angeles, flirting with the boys… but it never got off the ground." Q: "I think I've only heard that lately about Paul." John: "Oh, I've had him, he's no good." - 1975 interview (submitted by @johns-prince)
And I had a little upstairs, an unusable upstairs, and I kept a radio up there. Very faint. All of a sudden John said, "Is that Paul?" I thought it was somebody he knew named Paul. I didn't see anybody walk by. I said, "No." On the radio, Paul McCartney. We never mentioned anything about The Beatles. This little, low sound you could barely hear, he picked it right up. So, it just made me aware of how much attuned he was with The Beatles after they broke up.. - Gary Tracy, John's optometrist (slightly different version here)
John: "I've always thought there was this underlying thing in Paul's 'Get Back.' When we were in the studio recording it, every time he sang the line 'Get back to where you once belonged,' he'd look at Yoko." - 1980 interview (submitted by @johns-prince)
But in mid-January 1973 Lennon and Ono quarrelled publicly at another party. “I wish I was back with Paul,” Lennon reportedly said. - Peter Doggett, You Never Give Me Your Money: The Battle for the Soul of The Beatles. (2009) (submitted by @notgrungybitchin)
'From time to time John would say to me ''I wonder what Paul is thinking about, right now.'' I said John, I've only met him a couple of times in my life you know … I have no idea. And John would ask ''Do you think he thinks about me at all?''' - Elliot Mintz (submitted by @thewalrusespublicist )
“He was always saying, ‘I wonder what Paul is doing.’ When John and I were together, and this is about a week or two before our relationship ended, I remember him saying, ‘Do you think I should write with Paul again?’ I said, ‘Absolutely. You should because you want to. The two of you as solo performers are good, but together you can’t be beaten.” - May Pang
“Yeah, I miss Paul a lot. It’s been a year since I’ve seen him. He came over with Linda to me place in New York. Course I’d love to see him again. He’s an old friend, isn’t he?” - 1974 interview
"I never thought we’d come to that, because I didn’t think we were that stupid. But we were naïve enough to let people come between us." - 1971 interview
‘Paul? My dear one’ - 1980 interview (submitted by @didwemeetsomewherebefore)
"I’ve read cracks about, “Oh, the Beatles sang ‘All You Need Is Love’, but it didn’t work for them,” but nothing will ever break the love we have for each other." - 1972 interview
'"I just saw a girl who said she saw John Lennon walking down the street in New York wearing a button that said, "I love Paul." She asked him: "Why are you wearing an 'I love Paul' button?", and he said: "Because I love Paul." - Harry Nilsson anecdote (submitted by @bluewater9)
December 16, 1974. An extract from John Lennon’s interview with Jim Hartz on the Today Show, NBC Television Network, NYC. Sounding generally positive towards the possibility of working again with his former bandmates, John tries to answer a question about his “celebrated” feud with Paul McCartney. (source)
“If I get… married, divorced [pause] it’s celebrated. So The Beatles had a divorce and Paul and I were always, sort of, the out front ones… and so our “celebrated” feud. You know, Lennon/McCartney was… that was… we wrote the songs… and it was bigger. And I think we were… I put it down now to probably – we all – actually we were all probably very nervous about suddenly being on our own, although we all really wanted to get away from each other for a bit after living in a room together for ten years.”
(I added subtitles, though I may have missed a couple of words. Enjoy.)
YELLING
Isohachi is an angry old man and his lungs are a weapon.
POV: Some little girl is in the way of the repose of your ancestors.
Isohachi's yell has limited "ammo" shall we call it. It's actually in the code separately from sub-weapons, actual gun ammo, and the gun reloads. Unlike Chihiro's frog, Isohachi's yell startles everyone.
POV: This dam woman is in your dam way.
Mob Psycho 100 NEW Omake⑧- ENG
The new omake posted by ONE (aka ‘Teaching Mob basketball > anti-terrorism’) on 2022/11/23 is now translated and typeset - the latter done by @justheretoretw4 over on Twitter.
Guys, from now on DC will be changing future prints of Batman: Damned #1 to censor out Batman’s d*ck, but the joke’s on them now because Batman’s d*ck is going to become a collector’s item.
Printed copies of bat-dk are going to be selling for $35,000 a pop on ebay soon, it’s going to be absolute mayhem. Invest in Bat-d*ck if you can and invest in your future. Buy up every issue in your local comic store. Let Batman’s d*ck pay for your children’s college tuition. It’s what Batman would want.
s5 spoilers...!!!!! in this animatic...!!!!!!!!!
hey guys mk the monkie kid posting here!!! just letting yu know i am nuts 😋✌️